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	<title>Literature India</title>
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	<description>Literary and Cultural Portal of India</description>
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			<item>
		<title>Trauma of Terror</title>
		<link>http://www.literatureindia.com/2010/03/10/trauma-of-terror/#utm_source=feed&amp;utm_medium=feed&amp;utm_campaign=feed</link>
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		<pubDate>Wed, 10 Mar 2010 06:44:19 +0000</pubDate>
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				<category><![CDATA[Writing]]></category>
		<category><![CDATA[Indian Poem]]></category>
		<category><![CDATA[poem]]></category>

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		<description><![CDATA[by Vivekanand Jha
Wherever eyes go, we sigh to see
Be it a day or hours wee
In the mud we find our knees
Thunderous voice rends the ears
Two little eyes dipped in the [...]]]></description>
			<content:encoded><![CDATA[<p>by <strong>Vivekanand Jha</strong></p>
<p>Wherever eyes go, we sigh to see</p>
<p>Be it a day or hours wee</p>
<p>In the mud we find our knees</p>
<p>Thunderous voice rends the ears</p>
<p>Two little eyes dipped in the ocean of tears</p>
<p>Tender soul is infected with fear</p>
<p>Life is nothing but error</p>
<p>Teeming with trauma of terror.</p>
<p>God made comely creature</p>
<p>Apart from the lovely nature</p>
<p>Man made it a field</p>
<p>With red bloodshed filled.</p>
<p>Life is endless tale of peril</p>
<p>In the hands of the devil</p>
<p>No one wants to take a risk</p>
<p>So the corps takes to frisk</p>
<p>By working on the tips</p>
<p>This time terror is to rip</p>
<p>In the guise of will o’ the wisp.</p>
<p>We feel insulted on being frisked</p>
<p>Irritation reaches its zenith</p>
<p>Earth revolves the feet beneath</p>
<p>To see the baggage and bag</p>
<p>Treated as a piece of rag.</p>
<p>(*Vivekanand Jha, The poet and research scholar, from India. He is composing poems on contemporary and relevant themes. He is also performing Ph. D on the poetry of the noted Indian English poet Jayanta Mahapatra.)</p>
<p><strong><br />
</strong></p>
]]></content:encoded>
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		<item>
		<title>If you be my valentine</title>
		<link>http://www.literatureindia.com/2010/02/09/if-you-be-my-valentine/#utm_source=feed&amp;utm_medium=feed&amp;utm_campaign=feed</link>
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		<pubDate>Tue, 09 Feb 2010 17:56:00 +0000</pubDate>
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				<category><![CDATA[Writing]]></category>
		<category><![CDATA[Indian Poem]]></category>
		<category><![CDATA[poem]]></category>

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		<description><![CDATA[by  Vivekanand Jha
Though I don’t have
To give you a gold coin
But I have an open
Heart of mine
Though I couldn’t become
Shakespeare or Einstein
But I would never say
You a byline
If you be [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.literatureindia.com/wp-content/uploads/2010/02/valentine.jpg#utm_source=feed&amp;utm_medium=feed&amp;utm_campaign=feed"><img class="alignright size-full wp-image-562" title="valentine" src="http://www.literatureindia.com/wp-content/uploads/2010/02/valentine.jpg" alt="" width="134" height="121" /></a>by  <strong>Vivekanand Jha</strong></p>
<p>Though I don’t have</p>
<p>To give you a gold coin</p>
<p>But I have an open</p>
<p>Heart of mine</p>
<p>Though I couldn’t become</p>
<p>Shakespeare or Einstein</p>
<p>But I would never say</p>
<p>You a byline</p>
<p>If you be my valentine.</p>
<p>Though I meet with</p>
<p>So many girls clandestine</p>
<p>I drink bear, wine and cocaine</p>
<p>I watch pornography online</p>
<p>I would leave</p>
<p>All acts of libertine</p>
<p>If you be my valentine.</p>
<p>Though I like to live</p>
<p>In a family combine</p>
<p>So far I have followed</p>
<p>Parents and elders’ guidelines</p>
<p>Parents have been so far</p>
<p>For me an enshrine</p>
<p>But I would leave them</p>
<p>In the state of pains and repine</p>
<p>Not only that, every night</p>
<p>I would offer you compline</p>
<p>And I would serve you</p>
<p>Like a bovine</p>
<p>If you be my valentine.</p>
<p>Though I don’t afford</p>
<p>To travel by airline</p>
<p>My income doesn’t allow</p>
<p>In five star hotel to dine</p>
<p>I have no good house</p>
<p>But only ravine</p>
<p>But I would manage you</p>
<p>Everything, even though</p>
<p>I have to purloin</p>
<p>The assets of others</p>
<p>Or brother uterine</p>
<p>If you be my valentine.</p>
<p>You have become my lifeline</p>
<p>For you I am ready</p>
<p>To do any adulterine</p>
<p>I would swim</p>
<p>Against any streamline</p>
<p>I can define any doctrine</p>
<p>I would fight</p>
<p>Against even flue of swine</p>
<p>If you be my valentine.</p>
<p>I am mad after your grapevine</p>
<p>On your blossom</p>
<p>I want to recline</p>
<p>With you</p>
<p>I want to entwine</p>
<p>Oh my love!</p>
<p>Make my life illumine</p>
<p>And let us surpass</p>
<p>All glories of pristine</p>
<p>By being my valentine.</p>
<p>To my proposals</p>
<p>You don’t undermine</p>
<p>I am determined</p>
<p>To make you my destine</p>
<p>What I would not do</p>
<p>To see you of mine</p>
<p>If you not</p>
<p>Be my valentine</p>
<p><strong><br />
</strong></p>
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		<item>
		<title>August 17 wins the Golden Conch</title>
		<link>http://www.literatureindia.com/2010/02/09/august-17-wins-the-golden-conch/#utm_source=feed&amp;utm_medium=feed&amp;utm_campaign=feed</link>
		<comments>http://www.literatureindia.com/2010/02/09/august-17-wins-the-golden-conch/#comments</comments>
		<pubDate>Tue, 09 Feb 2010 17:45:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[film]]></category>

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		<description><![CDATA[‘August 17’ won the Golden Conch for the Best Documentary. This film is directed by Russian director Alexander Gutman.  ‘The Spell’ of Umesh Kulkarni won the best fiction film at [...]]]></description>
			<content:encoded><![CDATA[<p>‘August 17’ won the Golden Conch for the Best Documentary. This film is directed by Russian director Alexander Gutman.  ‘The Spell’ of Umesh Kulkarni won the best fiction film at the 11th Mumbai International Film Festival of Documentary, Animation and Short Films.  The festival is concluded at NCPA in Mumbai today.</p>
<p>‘17 August’ is Gutman’s 53 minute documentary that traces the life and ideas of Boris Bezotechestvo who gets sentence to life imprisonment in a very small cell. This cinema is all about his world from four walls and a view from the window. In the ‘Best Documentary above 30 minutes’ category with the Golden Conch award the filmmaker got Rs 3,00,000 in cash as well.</p>
<p>‘The Sun behind the Clouds’ (Ritu Sarin and Sonam Tenzing’s documentary ) won the Silver Conch and Rs 150,000 in cash in Documentary above 30 minutes category. This film tries to tell about Dalai Lama’s efforts to resolve the conflict peacefully. “Anwar- Dream of a Dark Night” (Anwar Jamal) and ‘Nero’s Guests’ (Deepa Bhatia) won the special mention.</p>
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		<item>
		<title>CSTT and its Works</title>
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		<pubDate>Wed, 27 Jan 2010 17:22:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Writing]]></category>
		<category><![CDATA[CSTT]]></category>
		<category><![CDATA[Scientific Terminology]]></category>
		<category><![CDATA[Technical Terminology]]></category>
		<category><![CDATA[Terminology]]></category>

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		<description><![CDATA[New Delhi based Commission for Scientific and  Technical Terminology (CSTT) works on a project of identifying technical terms which are commonly used in all modern Indian languages or can be [...]]]></description>
			<content:encoded><![CDATA[<p>New Delhi based Commission for Scientific and  Technical Terminology (CSTT) works on a project of identifying technical terms which are commonly used in all modern Indian languages or can be acceptable to most of them. All-India Seminar of experts representing 11 Indian languages were organized to identify such terms. So far about 25,000 pan-Indian terms belonging to various discipline have been identified and published in the form of subject-wise glossaries for free distribution among scholars, writers, translators, journalists etc. A consolidated glossary of these terms is in press for final printing.</p>
<p>The CSTT is presently engaged in developing a computer-based National Terminology Data Bank for storing, co-ordinating and analyzing the entire scientific and technical terminology available in Hindi and other Indian languages. It will also help in identifying commonness of terms and linguistic features in Indian languages and facilitate instant dissemination of information regarding terminology in Indian languages.</p>
<p>The Commission has set up a computer-based National Terminology Data Bank to modernize and maximize the process of presentation and publication of its huge corpus of terminology. This will be useful in making the terminology readily available to users. Till date the Commission has evolved about 6 lakhs terms and about 2.80 lakh terms have been fed in the data base of the computer, and the remaining ones are under process. This data-base of computerized terminology will enable the Commission to</p>
<p>1. feed and process new word entries in alphabetical order quickly.<br />
2. modify, alter, add to or take away the word-entries, if required.<br />
3. retrieve the Hindi equivalents of terms whenever needed.<br />
4. obtain laser prints for printing the glossary within short period.<br />
5. classify or group the word entries subject-wise or subject-group wise.<br />
6. obtain English-Hindi or Hindi-English or dig lot editions of the glossaries and<br />
7. prepare the glossaries in the form of floppies/CD which will also be made available for sale in near future.</p>
<p>8. Customized RDBMS for National Terminology Data Bank.</p>
<p>The Commission has so far organized about 300 workshops at different places, where more than 5,000 participants have undergone orientation training in terminology, original writing and translation etc.</p>
]]></content:encoded>
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		<title>Multilingualism in modern India</title>
		<link>http://www.literatureindia.com/2010/01/27/multilingualism-in-modern-india/#utm_source=feed&amp;utm_medium=feed&amp;utm_campaign=feed</link>
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		<pubDate>Wed, 27 Jan 2010 17:18:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Writing]]></category>
		<category><![CDATA[Localization]]></category>
		<category><![CDATA[translation]]></category>

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		<description><![CDATA[by Rajesh Ranjan
India is not only having its geographical-political distinct entity, but it is also a very unique linguistic area. If we are discussing on the condition of Indian languages [...]]]></description>
			<content:encoded><![CDATA[<p>by <strong>Rajesh Ranjan</strong></p>
<p>India is not only having its geographical-political distinct entity, but it is also a very unique linguistic area. If we are discussing on the condition of Indian languages according to state wise, we find that there is not any language which is purely confined to one language. Even not only bigger languages, also the small languages are having presence in more than one state. Also, in some state the no of language is much more and in some one it is very less. This diversity is the very essence of India.</p>
<p>People living nearby the border of two states, generally know two language. Basically their multilingualism is natural multilingualism. In the same way, tribal community of India know their own tribal language as well the language of the state where they are living. Any person who is bilingual or multilingual by birth, then his/her condition is called Compound Bilingual or multi linguists. Some people due to some cause learn other languages. This type of bilingualism or multilingualism is called co-ordinative Bilingualism/ Multilingualism.</p>
<p>Statistics related to State wise multilingualism in India</p>
<p>1. Assam-            Asamiya, Bangla, Bodo, Karbi, Mishid, Rabha, Dimasha,                 kochh, Kachhari, Deuri, Vishnupriya, Mechh, Lalod,                     Goro, Maar, Hindi.</p>
<p>2. Meghalaya-         Garo, Khasee, Rabha, kochh, Asamiya, Bangla, Nepalee,                 Hindi</p>
<p>3. Tripura-             Bangla, Tripuri, jamatiya, Riyad, Kookee, Chakma, Mug,                 Hindi.</p>
<p>4. Manipur &#8211;         Manipuri, takhul, kabue, Thado, Maar,                             Pahate, Mao, vaipe, Jeeu, Mijo, Hindi.</p>
<p>5. Nagaland &#8211;         Riyad, Konyad, Mao, Sema, Ambami, Lotha, Sandtam,                 Chad, Jatiyad,Ckakhesad,Redma, Hindi.</p>
<p>6 Mijoram-            Mijo, chakma, Lakher, Riyad, Nepali, Hindi.</p>
<p>7 Arunachal Pradesh-    Miju, Golad, Nishee, Nokte, Monapa,                     Tagin, Badti, Miniyod, Aapatani,                                 Tadsa, Assamesse, Hindi.</p>
<p>8 Sikkim-            Nepali, Lepcha, Bhotia, Hindi.</p>
<p>9 Andhara Pradesh-    Telugu ,Tamil, Kannada, Hindi, Marathi,Oriya,                         Malayalam, Gujarati, .</p>
<p>10. Tamilnadu-        Tamil, Telugu ,Kannada, Malayalam, Hindi, Gujarati,                     Marathi.</p>
<p>11. Kerala-            Malayalam,Tamil, Kannada, Telugu, Hindi, Marathi.</p>
<p>12. Karnataka -        Oriya, Telugu, Hindi, Bengali, Punjabi, Gujarati, Malayalam</p>
<p>13 Jammu-Kashmir-    Urdu, Kashmiri, Punjabi, Hindi</p>
<p>14 Punjab-            Punjabi, Hindi</p>
<p>15 Himachal Pradesh -    Hindi, Punjabi</p>
<p>16 Hariyana-        Hindi, Punjabi</p>
<p>17 Gujarat-            Gujarati, Hindi, Marathi,Punjabi,  Malayalam, Tamil.</p>
<p>18 Maharashtra-        Marathi, Hindi, Gujarati, Kannada, Telugu, Tamil, Malayalam<br />
Punjabi, Bengali.</p>
<p>19 Goa            Konkani, Marathi, Hindi</p>
<p>20 Madhya Pradesh-    Hindi,Telugu, Marathi, Oriya, Bengali, Punjabi, Gujarati,                 Malayalam, Tamil</p>
<p>21 Uttar Pradesh-    Hindi,  Punjabi,Bengali, Marathi, Malyalam</p>
<p>22 Bihar-            Hindi,  Bengali, Oriya, Punjabi,Telugu, Gujarati, Malayalam</p>
<p>23 West Bengal-        Bengali, Oriya, Telugu,  Punjabi, Gujarati, Malayalam, Hindi</p>
<p>24 Orissa -            Oriya, Telugu, Bengali, Punjabi, Gujarati, Malayalam, Hindi</p>
<p>25. Rajsthan -        Hindi, Punjabi, Gujarati, Bengali.</p>
<p>Being the national language Hindi is only language which is having its present all over India. Linguists have divided Hindi region in five sub-language region :</p>
<p>1.Western Hindi: Kadi Boli, Braja Bhasha, Hariyanvi, Kannauji, Bundeli<br />
2.Eastern Hindi:  Awadhi, Bagheli, Chhatisgari<br />
3.Rajsthani Hindi: Marwari, Jaipuri, Mewati, Malawi.<br />
4.Bihari Hindi: Bhojpuri, Magahi, Maithili<br />
5.Pahari Hindi: Garhwali, Kumauoni</p>
<p>In reality, the languages of India, which is spoken by commoner, is not under developed language anymore. If we see in the context of literary and cultural tradition, our languages are still far more developed than the so called rich languages.</p>
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		<title>Sahitya Akademi &#8211; English</title>
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		<pubDate>Wed, 27 Jan 2010 17:10:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Honour]]></category>
		<category><![CDATA[English]]></category>
		<category><![CDATA[Sahitya Akademi]]></category>

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		<description><![CDATA[Sahitya Akademi is India’s National Academy of Letters supported by government of India. Sahitya Akademi Award is one of the highest literary honor in India which annually confers on writers [...]]]></description>
			<content:encoded><![CDATA[<p>Sahitya Akademi is India’s National Academy of Letters supported by government of India. Sahitya Akademi Award is one of the highest literary honor in India which annually confers on writers of outstanding works in one of the following twenty four major Indian languages that Sahiya Academi supports. Every year since its inception in 1954, the Sahitya Akademi awards prizes Aka. Awards-Brochureto the most outstanding books of literary merit published in any of the major Indian languages recognised by it. The award carries a monetary component (Rs. 50, 000) and a plaque. Sahitya Akademi gives twenty four awards to literary works in the languages it has recognised. These awards are given after an year-long process of scrutiny, discussion and selection. The awards are meant to recognise and promote excellence in Indian writing and expanding the very definition of Indian literature by acknowledging new trends and movements. They are a reflection of current tastes and contribute to the formation of an Indian sensibility.</p>
<p>The award for Dogri language started in 1960. No awards were in given in 1955, 1956, 1957, 1958, 1959, 1961, 1962, 1964, 1966, 1968, 1970, 1972, 1973, 1974, 1995, 1997 and 2008 in English language catagory.</p>
<p><!--   		BODY,DIV,TABLE,THEAD,TBODY,TFOOT,TR,TH,TD,P { font-family:"Lohit Hindi"; font-size:x-small } --></p>
<table border="0" cellspacing="0" frame="void" rules="none">
<colgroup>
<col width="82"></col>
<col width="321"></col>
<col width="220"></col>
</colgroup>
<tbody>
<tr>
<td width="82" height="21" align="center">Year</td>
<td width="321" align="left">Book</td>
<td width="220" align="left">Author</td>
</tr>
<tr>
<td height="22" align="center">2007</td>
<td align="left">Disorderly Women (Novel)</td>
<td align="left">Malathi Rao</td>
</tr>
<tr>
<td height="22" align="center">2006</td>
<td align="left">The Sari Shop (Novel)</td>
<td align="left">Rupa Bajwa</td>
</tr>
<tr>
<td height="22" align="center">2004</td>
<td align="left">The Mammaries of the Welfare State (Novel)</td>
<td align="left">Upamanyu Chatterjee</td>
</tr>
<tr>
<td height="22" align="center">2003</td>
<td align="left">The Perishable Empire: Essays On Indian Writing In English (Essays)</td>
<td align="left">Meenakshi Mukherjee</td>
</tr>
<tr>
<td height="22" align="center">2002</td>
<td align="left">A New World (Novel)</td>
<td align="left">Amit Chaudhuri</td>
</tr>
<tr>
<td height="22" align="center">2001</td>
<td align="left">Rajaji : A Life (Biography)</td>
<td align="left">Rajmohan Gandhi</td>
</tr>
<tr>
<td height="22" align="center">2000</td>
<td align="left">Cuckold (Novel)</td>
<td align="left">Kiran Nagarkar</td>
</tr>
<tr>
<td height="22" align="center">1999</td>
<td align="left">The collected poems of A. K. Ramanujan (Poetry)</td>
<td align="left">A. K. Ramanujan</td>
</tr>
<tr>
<td height="22" align="center">1998</td>
<td align="left">Final Solutions and Other Plays (Plays)</td>
<td align="left">Mahesh Dattani</td>
</tr>
<tr>
<td height="22" align="center">1996</td>
<td align="left">Memories of Rain (Novel)</td>
<td align="left">Sunetra Gupta</td>
</tr>
<tr>
<td height="22" align="center">1994</td>
<td align="left">Serendip (Poetry)</td>
<td align="left">Dom Moraes</td>
</tr>
<tr>
<td height="21" align="center">1993</td>
<td align="left">After Amnesia: Tradition and Change in Indian Literary Criticism (Criticism)</td>
<td align="left">G.N. Devy</td>
</tr>
<tr>
<td height="22" align="center">1992</td>
<td align="left">Our Trees Still Grow in Dehra (Short stories)</td>
<td align="left">Ruskin Bond</td>
</tr>
<tr>
<td height="22" align="center">1991</td>
<td align="left">The Trotter-Nama (Novel)</td>
<td align="left">I. Allan Sealy</td>
</tr>
<tr>
<td height="22" align="center">1990</td>
<td align="left">That Long Silence (Novel)</td>
<td align="left">Shashi Deshpande</td>
</tr>
<tr>
<td height="22" align="center">1989</td>
<td align="left">The Shadow Lines (Novel)</td>
<td align="left">Amitav Ghosh</td>
</tr>
<tr>
<td height="21" align="center">1988</td>
<td align="left">The Golden Gate (Novel in verse)</td>
<td align="left">Vikram Seth</td>
</tr>
<tr>
<td height="22" align="center">1987</td>
<td align="left">Trapfalls in the Sky (Poetry)</td>
<td align="left">Shiv K. Kumar</td>
</tr>
<tr>
<td height="22" align="center">1986</td>
<td align="left">Rich Like Us (Novel)</td>
<td align="left">Nayantara Sahgal</td>
</tr>
<tr>
<td height="22" align="center">1985</td>
<td align="left">Collected Poems (Poetry)</td>
<td align="left">Kamala Das</td>
</tr>
<tr>
<td height="22" align="center">1984</td>
<td align="left">The Keeper of the Dead (Poetry)</td>
<td align="left">Keki N. Daruwalla</td>
</tr>
<tr>
<td height="22" align="center">1983</td>
<td align="left">Latter-Day Psalms (Poetry)</td>
<td align="left">Nissim Ezekiel</td>
</tr>
<tr>
<td height="22" align="center">1982</td>
<td align="left">The Last Labyrinth (Novel)</td>
<td align="left">Arun Joshi</td>
</tr>
<tr>
<td height="22" align="center">1981</td>
<td align="left">Relationship (Poetry)</td>
<td align="left">Jayant Mahapatra</td>
</tr>
<tr>
<td height="22" align="center">1980</td>
<td align="left">On the Mother, Vol. I &amp; II (Biography)</td>
<td align="left">K.R. Srinivasa Iyengar</td>
</tr>
<tr>
<td height="22" align="center">1979</td>
<td align="left">Inside the Haveli (Novel)</td>
<td align="left">Rama Mehta</td>
</tr>
<tr>
<td height="22" align="center">1978</td>
<td align="left">Fire on the Mountain (Novel)</td>
<td align="left">Anita Desai</td>
</tr>
<tr>
<td height="22" align="center">1977</td>
<td align="left">Azadi (Novel)</td>
<td align="left">Chaman Nahal</td>
</tr>
<tr>
<td height="22" align="center">1976</td>
<td align="left">Jawaharlal Nehru (1889-1947) (Biography)</td>
<td align="left">S. Gopal</td>
</tr>
<tr>
<td height="22" align="center">1975</td>
<td align="left">Scholar Extraordinary (Biography)</td>
<td align="left">Nirad C. Chaudhury</td>
</tr>
<tr>
<td height="22" align="center">1971</td>
<td align="left">Morning Face (Novel)</td>
<td align="left">Mulk Raj Anand</td>
</tr>
<tr>
<td height="22" align="center">1969</td>
<td align="left">An Artist in Life (Study of Tagore)</td>
<td align="left">Niharranjan Ray</td>
</tr>
<tr>
<td height="22" align="center">1967</td>
<td align="left">Shadow from Ladakh (Novel)</td>
<td align="left">Bhabani Bhattacharya</td>
</tr>
<tr>
<td height="22" align="center">1965</td>
<td align="left">The Tribal World of Verrier Elwin (Autobiography)</td>
<td align="left">Verrier Elwin</td>
</tr>
<tr>
<td height="22" align="center">1963</td>
<td align="left">The Serpent and the Rope (Novel)</td>
<td align="left">Raja Rao</td>
</tr>
<tr>
<td height="22" align="center">1960</td>
<td align="left">The Guide (Novel)</td>
<td align="left">R.K. Narayan</td>
</tr>
</tbody>
</table>
]]></content:encoded>
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		<title>Sahitya Akademi &#8211; Dogri</title>
		<link>http://www.literatureindia.com/2010/01/27/sahitya-akademi-dogri/#utm_source=feed&amp;utm_medium=feed&amp;utm_campaign=feed</link>
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		<pubDate>Wed, 27 Jan 2010 17:06:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Honour]]></category>
		<category><![CDATA[Dogri]]></category>
		<category><![CDATA[Sahitya Akademi]]></category>

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		<description><![CDATA[Sahitya Akademi is India’s National Academy of Letters supported by government of India. Sahitya Akademi Award is one of the highest literary honor in India which annually confers on writers [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.literatureindia.com/wp-content/uploads/2009/10/sahiya-academi-logo.gif#utm_source=feed&amp;utm_medium=feed&amp;utm_campaign=feed"><img class="alignleft size-full wp-image-63" title="sahiya-academi-logo" src="http://www.literatureindia.com/wp-content/uploads/2009/10/sahiya-academi-logo.gif" alt="" width="160" height="120" /></a>Sahitya Akademi is India’s National Academy of Letters supported by government of India. Sahitya Akademi Award is one of the highest literary honor in India which annually confers on writers of outstanding works in one of the following twenty four major Indian languages that Sahiya Academi supports. Every year since its inception in 1954, the Sahitya Akademi awards prizes Aka. Awards-Brochureto the most outstanding books of literary merit published in any of the major Indian languages recognised by it. The award carries a monetary component (Rs. 50, 000) and a plaque. Sahitya Akademi gives twenty four awards to literary works in the languages it has recognised. These awards are given after an year-long process of scrutiny, discussion and selection. The awards are meant to recognise and promote excellence in Indian writing and expanding the very definition of Indian literature by acknowledging new trends and movements. They are a reflection of current tastes and contribute to the formation of an Indian sensibility.</p>
<p>The award for Dogri language started in 1970. No awards were in given in 1973,1993 and 1998 in Dogri language catagory.</p>
<p><!--   		BODY,DIV,TABLE,THEAD,TBODY,TFOOT,TR,TH,TD,P { font-family:"Lohit Hindi"; font-size:x-small } --></p>
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<col width="82"></col>
<col width="280"></col>
<col width="226"></col>
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<tbody>
<tr>
<td width="82" height="21" align="right"><strong>Year </strong></td>
<td width="280" align="left"><strong>Book </strong></td>
<td width="226" align="left"><strong>Author</strong></td>
</tr>
<tr>
<td height="21" align="right">2007</td>
<td align="left">Mahatma Vidur (Epic)</td>
<td align="left">Gian Singh Pagoch</td>
</tr>
<tr>
<td height="21" align="right">2006</td>
<td align="left">Kore Kaakal Korian Talian (Poetry)</td>
<td align="left">Darshan Darshi</td>
</tr>
<tr>
<td height="21" align="right">2005</td>
<td align="left">Dhaldi Dhuppe Da Sek (Short Stories)</td>
<td align="left">Krishan Sharma</td>
</tr>
<tr>
<td height="21" align="right">2004</td>
<td align="left">Cheten Di Chitkabri (Essays)</td>
<td align="left">Shiv Nath</td>
</tr>
<tr>
<td height="21" align="right">2003</td>
<td align="left">Jhull Bada Dea Pattara (Poetry)</td>
<td align="left">(Late) Ashwani Magotra</td>
</tr>
<tr>
<td height="21" align="right">2002</td>
<td align="left">Trip Trip Chete (Travelogue)</td>
<td align="left">Om Vidyarthi</td>
</tr>
<tr>
<td height="21" align="right">2001</td>
<td align="left">Nighe Rang (Poetry)</td>
<td align="left">Verinder Kesar</td>
</tr>
<tr>
<td height="21" align="right">2000</td>
<td align="left">Meel Patthar (Short stories)</td>
<td align="left">Bandhu Sharma</td>
</tr>
<tr>
<td height="21" align="right">1999</td>
<td align="left">Mangwi Pashakri (Poetry)</td>
<td align="left">Kuldeep Singh Jindhrahia</td>
</tr>
<tr>
<td height="21" align="right">1997</td>
<td align="left">Bakhre Bakhre Sach (Novel)</td>
<td align="left">Shiv Dev Singh Sushil</td>
</tr>
<tr>
<td height="21" align="right">1996</td>
<td align="left">Baddali Kalave (Poetry)</td>
<td align="left">Gianeshwar</td>
</tr>
<tr>
<td height="21" align="right">1995</td>
<td align="left">Lalsa (Poetry)</td>
<td align="left">Abhishap</td>
</tr>
<tr>
<td height="21" align="right">1994</td>
<td align="left">Buddh Suhagan (Plays)</td>
<td align="left">Jitendra Sharma</td>
</tr>
<tr>
<td height="21" align="right">1992</td>
<td align="left">Jo Tere Man-Chitta Laggi Ja (Poetry)</td>
<td align="left">Yash Sharma</td>
</tr>
<tr>
<td height="21" align="right">1991</td>
<td align="left">Apni Daphli Apna Raag (Plays)</td>
<td align="left">Mohan Singh</td>
</tr>
<tr>
<td height="21" align="right">1990</td>
<td align="left">Jeevan Lehran (Poetry)</td>
<td align="left">Tara Smailpuri</td>
</tr>
<tr>
<td height="21" align="right">1989</td>
<td align="left">Sodh Samundaren Di (Poetry)</td>
<td align="left">Mohanlal Sapolia</td>
</tr>
<tr>
<td height="21" align="right">1988</td>
<td align="left">Rattu Da Chanan (Poetry)</td>
<td align="left">Ram Lal Sharma</td>
</tr>
<tr>
<td height="21" align="right">1987</td>
<td align="left">Beddan Dharti Di (Epic)</td>
<td align="left">Prakash Premi</td>
</tr>
<tr>
<td height="21" align="right">1986</td>
<td align="left">Sunne Di Chiree (Short stories)</td>
<td align="left">Om Goswami</td>
</tr>
<tr>
<td height="21" align="right">1985</td>
<td align="left">Ayodhya (Play)</td>
<td align="left">Dinoo Bhai Pant</td>
</tr>
<tr>
<td height="21" align="right">1984</td>
<td align="left">Gamlen De Cactus (Poetry)</td>
<td align="left">Shiv Ram `Deep&#8217;</td>
</tr>
<tr>
<td height="21" align="right">1983</td>
<td align="left">Aale (Short stories)</td>
<td align="left">Ved Rahi</td>
</tr>
<tr>
<td height="21" align="right">1982</td>
<td align="left">Qaidi (Novel)</td>
<td align="left">Deshbandhu Dogra `Nutan&#8217;</td>
</tr>
<tr>
<td height="21" align="right">1981</td>
<td align="left">Ek Shehr Yaaden Da (Poetry)</td>
<td align="left">Jitendra Udhampuri</td>
</tr>
<tr>
<td height="21" align="right">1980</td>
<td align="left">Ghar (Poetry)</td>
<td align="left">Kunwar Viyogi</td>
</tr>
<tr>
<td height="21" align="right">1979</td>
<td align="left">Nanga Rukh (Novel)</td>
<td align="left">O.P. Sharma `Sarathi&#8217;</td>
</tr>
<tr>
<td height="21" align="right">1978</td>
<td align="left">Sanjhi Dharti Bakhle Mahnu (Novel)</td>
<td align="left">Narsingh Dev Jamwal</td>
</tr>
<tr>
<td height="21" align="right">1977</td>
<td align="left">Main Mele Ra Janun (Poetry)</td>
<td align="left">Kehri Singh `Madhukar&#8217;</td>
</tr>
<tr>
<td height="21" align="right">1976</td>
<td align="left">Badnami Di Chhan (Short stories)</td>
<td align="left">Ram Nath Shastri</td>
</tr>
<tr>
<td height="21" align="right">1975</td>
<td align="left">Mere Dogri Geet (Poetry)</td>
<td align="left">Krishna Smailpuri</td>
</tr>
<tr>
<td height="21" align="right">1974</td>
<td align="left">Duddh, Lahoo, Zahar (Short stories)</td>
<td align="left">Madan Mohan Sharma</td>
</tr>
<tr>
<td height="21" align="right">1972</td>
<td align="left">Phull Bina Dali (Novel)</td>
<td align="left">Srivats Vikal</td>
</tr>
<tr>
<td height="21" align="right">1971</td>
<td align="left">Meri Kavita Mere Geet (Poetry)</td>
<td align="left">Padma Sachdev</td>
</tr>
<tr>
<td height="21" align="right">1970</td>
<td align="left">Nila Ambar Kale Badal (Short stories)</td>
<td align="left">Narendra Khajuria</td>
</tr>
</tbody>
</table>
]]></content:encoded>
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		<title>Establishment of the National Knowledge Network (NKN) in principle approved</title>
		<link>http://www.literatureindia.com/2010/01/21/establishment-of-the-national-knowledge-network-nkn-in-principle-approved/#utm_source=feed&amp;utm_medium=feed&amp;utm_campaign=feed</link>
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		<pubDate>Thu, 21 Jan 2010 17:35:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[National Knowledge Network]]></category>
		<category><![CDATA[NKN]]></category>

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		<description><![CDATA[The Cabinet Committee on Infrastructure has accorded in principle approval for the establishment of the National Knowledge Network (NKN) to be implemented by the NIC.
BACKGROUND:
One of the important recommendations of [...]]]></description>
			<content:encoded><![CDATA[<p>The Cabinet Committee on Infrastructure has accorded in principle approval for the establishment of the National Knowledge Network (NKN) to be implemented by the NIC.</p>
<p>BACKGROUND:</p>
<p>One of the important recommendations of the National Knowledge Commission (NKC) is to inter-connect all knowledge institutions trough high speed data communication network. This would encourage sharing of knowledge, specialized resources and collaborative research.</p>
<p>The Government’s decision to set up such a National Knowledge Network was announced in 2008-09. An initial amount of Rs.100 crore was allocated to the Department of Information Technology, Ministry of Communications and IT for the establishing the NKC. A High Level Committee (HLC) was also set up to coordinate and monitor the establishment of the NKN.</p>
<p>Implementation strategy and targets :</p>
<p>The architecture of the NKN will be scalable and the network will consist of an ultra-high speed Core (multiples of 10Gbps and upwards). The Core shall be complemented with a distribution layer at appropriate speeds. The participating institutions can connect to the NKN at speeds of 1 Gbps or to the distribution layer through a last mile connectivity bandwidth.</p>
<p>The NKN will provide nation-wide ultra high-speed backbone/data-network highway. Various other networks in the country can take advantage of this ultra high-speed backbone, with national and international reach to create independent and closed user groups.</p>
<p>The NKN will have about 25 core Point of Presence (PoPs) and 600 secondary PoPs. It will connect around 1500 Institutions. The physical infrastructure (setting up of core network) is expected to be completed in a span of 24 months.</p>
<p>Major impact :</p>
<p>NKN will enable scientists, researches and students from diverse spheres across the country to work together for advancing human development in critical and emerging areas. NKN will catalyze knowledge sharing and knowledge transfer between stakeholders seamlessly – that too across the nation and globally. NKN is expected to encourage a larger section of research and educational institutions to create intellectual property. NKN would enable use of specialized applications, which allow sharing of high performance computing facilities, e-libraries, virtual classrooms and very large databases.</p>
<p>Health, Education, Grid Computing, Agriculture and e-Governance are the main applications identified for implementation and delivery on NKN. Applications such as Countrywide Classrooms will address the issue of faculty shortage and ensure quality education delivery across the country. The crux of the success of the Knowledge Network is related to the education related applications, databases and delivery of services to the users on demand.</p>
<p>Current status of Initial Phase:</p>
<p>In the initial phase a core Backbone consisting of 15 Points of Presence (PoPs) have been established with 2.5 Gbps capacity. Around 40 institutions of higher learning and advanced research have already been connected to the network and 6 virtual classrooms setup.</p>
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		<title>Number of JRF to be increased</title>
		<link>http://www.literatureindia.com/2010/01/21/number-of-jrf-to-be-increased/#utm_source=feed&amp;utm_medium=feed&amp;utm_campaign=feed</link>
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		<pubDate>Thu, 21 Jan 2010 17:33:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[CSIR]]></category>
		<category><![CDATA[UGC]]></category>

		<guid isPermaLink="false">http://www.literatureindia.com/?p=539</guid>
		<description><![CDATA[The Cabinet today approved the implementation of the proposal for increase in the number of Junior Research Fellowship (JRF) through CSIR-UGC National Eligibility Test (NET) in the country.
The main objective [...]]]></description>
			<content:encoded><![CDATA[<p>The Cabinet today approved the implementation of the proposal for increase in the number of Junior Research Fellowship (JRF) through CSIR-UGC National Eligibility Test (NET) in the country.</p>
<p>The main objective of the JRF-NET is to identify, through this national competitive examination, those talented students who could be enrolled for Ph.D. programmes in specific science domains, across India’s scientific and academic institutions and also to identify those who fulfil the eligibility criteria for employment as lecturers across various academic institutions.</p>
<p>The brief details of the proposal are:</p>
<p>Increase in the Junior Research Fellowship (JRF) through CSIR-UGC National Eligibility Test (NET) by two fold over the Tenth Plan period.  During the Tenth Five Year Plan a total of about 6000 young students benefited by availing CSIR-JRF through NET.  In the Eleventh Plan CSIR proposes to increase the number by two fold.<br />
The total cost of providing fellowships for about 12000 students in the Eleventh Plan is estimated at Rs.444.34 crore.</p>
<p>The proposed increase in intake of JRF-NET fellowships with the attractive remuneration would help in attracting talented youth to take up scientific research as a career and help address the issues related to shortage of scientific manpower in the country.</p>
<p>The biggest beneficiaries of this programme would be the University system and scientific institutions across India as they shall be able to attract bright minds for their scientific programmes/research.  It will also benefit students from all over the country who are keen to take-up scientific research as a career.</p>
<p>The programme will be implemented by Human Resource Development Group of the Council of Scientific &amp; Industrial Research, which conducts National eligibility Test (NET) across the country in 25 cities and at 125 exam centers.  A total of about 12000 students would be benefiting through JRF-NET in the Eleventh Five Year Plan.</p>
<p>BACKGROUND:</p>
<p>Recognizing the need to identify and nurture young scientific talent who could be enrolled for Ph.d. programmes across India’s scientific institutions.  Council of Scientific &amp; Industrial Research (CSIR) started in 1983 a research fellowship scheme as a national responsibility.  This was a unique step to fulfil India’s growing ambition to become a scientific &amp; technological power house.  In 1989, NET was recognized by UGC as pre-qualification for Lectureship and was renamed as CSIR-UGC National Eligibility Test for Junior Research Fellowship and Eligibility for Lectureship.  Since 1990, NET is being conducted twice a year in the month of June and December.</p>
<p>NET exam is held across the country in 25 cities and at 125 exam centers in five subject areas viz. Life Sciences, Chemical Sciences, Earth Sciences, Physical Sciences and Mathematical Sciences.  Selection is made through two paper system.  Currently more than 1,50,000 students have been writing the NET exam each year.  The CSIR-NET has established an enormous credibility in the country and it has become a bench mark for selecting candidates for pursing Ph.D. programme, appointment either as a lecturer or a project research fellow or for employment in various R&amp;D organization all across the country.</p>
<p>In the recent times serious concern has been expressed by educationalist, scientists, policy markers etc. over declining interest of students to take up careers in basic sciences.  There has been an emphasis on enlarging the pool of scientific manpower to contribute towards S&amp;T development in the country which is the reliable benchmark to become a developed nation.  In order to achieve this goal focused efforts are required to be made to identify and nurture bright young students who can take up scientific research as a career.  The present programme is one such focussed effort in this direction.</p>
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		<title>Ministry to strengthen National Schools of Drama</title>
		<link>http://www.literatureindia.com/2010/01/15/ministry-to-strengthen-national-schools-of-drama/#utm_source=feed&amp;utm_medium=feed&amp;utm_campaign=feed</link>
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		<pubDate>Thu, 14 Jan 2010 19:28:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Culture Ministry]]></category>
		<category><![CDATA[National Schools of Drama]]></category>
		<category><![CDATA[NSD]]></category>

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		<description><![CDATA[The Union Culture Ministry is taking steps to strengthen National School of Drama (NSD). It include redevelopment of NSD Campus at Bahawalpur House, New Delhi and setting up of five [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.literatureindia.com/wp-content/uploads/2010/01/nsd_logo.jpg#utm_source=feed&amp;utm_medium=feed&amp;utm_campaign=feed"><img class="alignleft size-full wp-image-537" title="nsd_logo" src="http://www.literatureindia.com/wp-content/uploads/2010/01/nsd_logo.jpg" alt="" width="128" height="108" /></a>The Union Culture Ministry is taking steps to strengthen National School of Drama (NSD). It include redevelopment of NSD Campus at Bahawalpur House, New Delhi and setting up of five Regional Centres of NSD &#8211; at Bengaluru, Kolkata, Jammu &amp; Kashmir, Maharashtra/Goa and in the North East. The Bengaluru Centre of NSD has already started functioning from February, 2009.</p>
<p>Under the Eleventh Five Year Plan, an amount of Rs. 8000 lakhs was allocated for NSD for the entire Plan period.</p>
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